ABT's Othello: More Drama Than Dance

American Ballet Theatre has launched its spring season at Lincoln Center with a revival of Lar Lubovitch's 1997 ballet, "Othello." The production, which relies heavily on a handkerchief as a central narrative device, has drawn criticism for its dated choreography and perceived lack of dance substance.

The ballet, last performed by the company in 2015, has been described as monotonous, with choreography that shifts between bright and somber tones to match Elliot Goldenthal's score. Critics suggest that the focus leans more towards drama than pure dance, with even the central prop, the handkerchief, becoming a wearying element due to its exaggerated presentation.

Questions have been raised about the artistic decision to remount "Othello" for this season. The production's return, featuring eight performances, has been met with some frustration, particularly as other works, like Antony Tudor ballets, are reportedly being neglected. The ballet's dramatic arc, while attempting to convey themes of jealousy and rage, has been deemed by some as overly simplistic, bordering on "cartoon land."

Performances by the principal dancers have received mixed reviews. While some showcased technical prowess, others were noted for struggling to convey deep emotion or character. The staging, set design by George Tsypin and projections by Wendall K. Harrington, have been highlighted as notable elements, attempting to enhance the dramatic atmosphere.