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Home / Technology / Documentarians Confront AI's Ethical Challenges in Filmmaking

Documentarians Confront AI's Ethical Challenges in Filmmaking

17 Nov

•

Summary

  • Documentarians discuss best practices and warnings around AI use in films
  • AI used to obscure identities and modify voices in sensitive documentaries
  • Concerns raised about AI-generated footage eroding trust in media and archives
Documentarians Confront AI's Ethical Challenges in Filmmaking

In November 2025, leading documentarians gathered at the International Documentary Film Festival Amsterdam (IDFA) to discuss the pressing issue of AI technology and its impact on the documentary film industry. The discussion centered around the possibilities and consequences of AI, as the form of documentary filmmaking is often tied to notions of truth and reality.

Oscar-nominated U.S. director and investigative reporter David France, who was at IDFA with his Sundance-breakout doc "Free Leonard Peltier," recalled using AI to obscure the identities of persecuted LGBTQIA individuals in his 2020 film "Welcome to Chechnya." This groundbreaking process, which involved digitally superimposing other people's faces onto the original subjects, was a necessary measure to protect their safety.

Similarly, France used AI to modify and rejuvenate the voice of activist Leonard Peltier in his latest film, as the original recordings were obtained illicitly since Peltier could not speak to journalists from prison. British filmmaker Marc Isaacs also experimented with AI, collaborating with a Romanian actress to create a half-real, half-digital character for his film "Synthetic Sincerity."

However, the documentarians expressed concerns about the impact of AI-generated footage on the public's trust in media and archives. Portuguese filmmaker Susana de Sousa Dias warned that the "documentary status of images becomes much easier to contest" with the rise of AI, and that there is a risk of people "stop believing anything." Emmy-winning filmmaker Eugen Bräunig emphasized the need for self-regulation and accountability in the industry, urging productions to create cue sheets detailing the use of AI technology.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Documentarians like David France have used AI to digitally superimpose other people's faces onto the original subjects in order to obscure their identities and protect them in sensitive films, such as "Welcome to Chechnya" which chronicled the persecution of LGBTQIA individuals.
Filmmakers like Susana de Sousa Dias warn that the rise of AI-generated footage could make it easier to contest the "documentary status of images," leading to a risk of people "stop believing anything" and eroding public trust in media and archives.
Emmy-winning filmmaker Eugen Bräunig emphasized the need for self-regulation in the industry, urging productions to create cue sheets detailing the use of AI technology in order to stay ahead of potential questions and maintain transparency.

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