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Irish Beauty Moguls Clash Over K-Beauty
28 Feb
Summary
- Two Irish beauty titans launched similar K-beauty lines simultaneously.
- Pippa O'Connor's line is made in Italy; Suzanne Jackson's in South Korea.
- Pricing strategies differ, targeting distinct consumer segments.

Ireland's beauty landscape is set for a major showdown as two of its most prominent influencers, Suzanne Jackson and Pippa O'Connor Ormond, simultaneously release new K-beauty inspired skincare lines. Jackson, founder of SOSU Cosmetics, has launched her 'Sosu-K' range, manufactured in South Korea to leverage the region's famed fermentation technologies and expertise. Her approach is maximalist, focusing on a comprehensive, multi-step ritual including a double cleansing duo and a glow serum, aiming for the 'glass skin' aesthetic.
Pippa O'Connor Ormond, with her POCO Skin line, adopts a contrasting 'less-is-more' philosophy. Her products are crafted in Italy, known for luxury cosmetics and clean beauty standards. O'Connor Ormond's range highlights multi-tasking essentials like a 24-hour Hydra-Cloud Moisturiser, designed for busy individuals. Her brand positions itself slightly higher in the market, appealing to investment shoppers seeking quality and Irish support.
The competition extends to their marketing and pricing strategies. Jackson's line, priced between €15 to €35, targets a younger demographic valuing affordable luxury. O'Connor Ormond's products, with some reaching €45, appeal to consumers seeking premium, albeit more accessible, alternatives to high-end brands. Both influencers leverage their substantial social media followings, with Jackson boasting 300,000 followers and O'Connor Ormond 400,000, fostering strong community engagement.
The industry is keenly observing this clash, questioning the market's capacity for two major K-beauty launches from such prominent figures. Jackson's range offers the authentic, extensive Korean experience, while O'Connor Ormond provides a sophisticated, simplified routine with Italian luxury. Ultimately, consumers now face a choice between a deeply traditional K-beauty approach and a modern, streamlined interpretation, highlighting a significant divide in the Irish beauty market.




