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BHU Prof Unveils Persian-Hindustani Musical Links
13 Nov
Summary
- Research explored Persian aesthetics in Hindustani vocal traditions.
- Paper detailed melodic ornamentation and microtonality evolution.
- Comparative study linked Indian Shruti and Persian microtonality.
An assistant professor from Banaras Hindu University (BHU) has presented significant research into the historical interplay between Persian musical aesthetics and Hindustani vocal traditions. Shyama Kumari, from the Department of Vocal Music, shared her findings at the 6th International Conference of the Indian Association for South Asian Studies (IASAS).
Her paper, titled "Persian Aesthetics in Hindustani Vocal Traditions: Tracing the Evolution of Melodic Ornamentation and Microtonality," delved into specific vocal techniques. These included explorations of Meend, Gamak, Murki, Khatka, and Andolan, examining their roots and development.
The research further provided a comparative analysis of the Indian concept of Shruti and Persian theories concerning microtonality. This aspect highlighted the distinct characteristics and historical connections between these two rich musical systems.
