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Belarusian Model's Unexpected Morgue Encounter Sparks Transformative Journey

Summary

  • Belarusian model dreams of career in China, drawn to mysterious morgue worker
  • Film developed from lives and experiences of its two lead actors, improvised with no script
  • Directors faced logistical challenges filming in Belarus due to limited access
Belarusian Model's Unexpected Morgue Encounter Sparks Transformative Journey

In August 2025, the new film "White Snail" premiered at the Locarno Film Festival, offering a rare glimpse into life in Belarus. The story follows a Belarusian model, Masha, who dreams of a career in China but finds herself drawn to Misha, a mysterious loner who works the night shift at a morgue. Their unexpected encounter unsettles Masha's sense of body, beauty, and mortality, leading to a fragile love story between two outsiders.

The film, an Austrian-German co-production, was developed based on the real-life experiences of its lead actors, Marya Imbro and Mikhail Senkov. Remarkably, the entire film was improvised, with no scripted dialogue. Directors Elsa Kremser and Levin Peter spent time with the actors, immersing themselves in their lives and perspectives to craft the story.

Producing the film in Belarus, however, presented significant logistical challenges. Due to limited direct access to the country, the crew had to navigate lengthy car rides and complex procedures, requiring multiple contingency plans. Despite these obstacles, the directors were able to capture a poignant moment in the lives of two young Belarusians, exploring themes of alienation and the uncertain future.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.

FAQ

The "White Snail" film follows a Belarusian model, Masha, who dreams of a career in China but finds herself drawn to Misha, a mysterious morgue worker, leading to a fragile love story between the two outsiders.
The film was developed based on the real-life experiences of its lead actors, Marya Imbro and Mikhail Senkov, and was largely improvised with no scripted dialogue.
The directors faced significant logistical challenges due to the limited direct access to Belarus, requiring lengthy car rides and complex procedures, and necessitating multiple contingency plans.

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