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Home / Arts and Entertainment / Visionary Debut "Daughters" Blends Organic and Electronic Sounds in Powerful Exploration of Grief

Visionary Debut "Daughters" Blends Organic and Electronic Sounds in Powerful Exploration of Grief

29 Oct

•

Summary

  • Walton's debut album "Daughters" is a maximalist take on the disarray and distortions of grief
  • The album blends intricate, organic instrumentation and synths into pummelling cataclysms
  • Walton's songwriting keys into unavoidably painful and prosaic moments of loss and estrangement
Visionary Debut "Daughters" Blends Organic and Electronic Sounds in Powerful Exploration of Grief

Walton's debut album "Daughters," released in the past year, has been hailed as a visionary work that transports the artist from the underground to the foreground. As a maximalist take on the disarray and distortions of grief, the album has drawn comparisons to the capacity for terror and awe found in the music of Phil Elverum, as well as the machine-anaesthetized intimacy of claire rousay and the furiously detailed intensity of Hakushi Hasegawa and Sufjan Stevens.

Walton's most distinctive trademark is in how she crushes together intricate, organic instrumentation and synths into pummelling cataclysms. The album's landscape is majestic in its desolation, marked by rattling barns, clapboard houses, and infinite skies. Walton's songwriting keys into unavoidably painful and prosaic moments, like sitting "hunched and sick in the concourse" of a hospital, but she also contrasts the drawing of blood with praying for mercy. The album's aggressive beauty, desperation, and invention leave the listener undone by Walton's cosmic and mundane evocations of grief.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Walton's debut album "Daughters" is a powerful exploration of grief, inspired by the cancer diagnosis and passing of the artist's musician father, Nigel Walton.
Walton's music on "Daughters" has been compared to the work of Phil Elverum, claire rousay, Laurie Anderson, David Lynch, and Sufjan Stevens, for its blend of organic and electronic sounds, as well as its furiously detailed intensity and capacity for terror and awe.
Walton's songwriting on "Daughters" keys into unavoidably painful and prosaic moments of loss and estrangement, with the album's landscape described as majestic in its desolation, marked by rattling barns, clapboard houses, and infinite skies.

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