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Okinawa Identity Explored in Venice Film Fest Winner
14 Sep
Summary
- Film explores queer identity against Okinawan backdrop.
- Director Xavier Tera connects Québécois upbringing to Okinawan reality.
- Producer Jeremy O. Harris champions unique, globally-minded storytelling.
"The Color of the Sun," a film premiering in Venice, examines global identity themes through its Okinawan setting. Director Xavier Tera, drawing from his Québécois heritage and experiences in East Asia, found parallels between his upbringing and the Ryukyu people's identity.
The film's protagonist, Kamei, grapples with his sexuality and place in the world. Producer Jeremy O. Harris highlights the project's unique nature, noting the challenges of a queer, Japanese-language film set near an American base.
Harris emphasizes his role in translating directors' visions for financiers and audiences. He advocated for Tera's authentic storytelling, protecting the narrative's emotional core and character development.
Cinematographer Sayombhu Mukdeeprom, known for his collaborations with Apichatpong Weerasethakul, joined the project, facilitated by producer Stella Savino. Despite production challenges, the team prioritized artistic vision, including the use of 35mm film.
The film has secured distribution in Canada, Italy, and Japan. Producers express confidence in finding a US distributor for the award-winning feature.
