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US Anthem Chokes on Patriotism at UK Premiere
15 Feb
Summary
- Concerto reframed patriotic songs, minstrelsy, and poetry for an inclusive America.
- Bass-baritone Davóne Tines questioned the current state of the US.
- Orchestrations and vocal amplification issues sometimes obscured the soloist.
The UK premiere of Concerto No 2: Anthem in London offered a powerful reimagining of American identity through music and poetry. The work challenged the nation's historical narrative, incorporating patriotic songs, minstrelsy, and poetry to propose a more inclusive future. Bass-baritone Davóne Tines, the Barbican's artist in residence, critically examined the United States' present trajectory, advocating for a society that moves beyond its past of slavery and immigration.
The concerto featured innovative arrangements, including a rendition of "The Star-Spangled Banner" that satirized its own pomposity. Poet Mahogany L Browne's contributions questioned the meaning of freedom in the face of ongoing injustice. Composer Caroline Shaw dissected fragments of American music, even including racist minstrelsy. Tyshawn Sorey's work led into "Lift Ev'ry Voice and Sing," the "Negro national anthem."
Despite the impactful message, technical issues detracted from the performance. Loud orchestrations and inadequate vocal amplification frequently made Tines's voice difficult to hear. The concert also included Rachmaninov's Third Symphony, a piece written during his US exile, which, while given a strong performance by the orchestra under Daniele Rustioni, felt somewhat disconnected thematically.
