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Ty Segall Band's "Slaughterhouse": Evil Space Rock Unleashed
18 Oct
Summary
- Slaughterhouse echoes The Stooges' 'Fun House' with gritty, intense sound.
- Album features a 10-minute noise meltdown 'Fuzz War' as its closer.
- Segall described the album as 'evil space rock' but it's more primal.

The Ty Segall Band's latest release, Slaughterhouse, presents their heaviest and loudest album to date. It draws a clear parallel to The Stooges' seminal 1970 album, Fun House, capturing its suffocating intensity and sonic grit. While not a direct imitation, Slaughterhouse reinterprets the Fun House experience for a modern, devious context, notably sharing the same title and concluding with extended noise meltdowns.
Described by Ty Segall as 'evil space rock,' Slaughterhouse leans into a more subterranean and animalistic aesthetic. The album opens with ferocious tracks like 'Death' and 'I Bought My Eyes,' setting a tone of escalating intensity. Even quieter moments like 'Wave Goodbye' build to a militaristic finale. A notable exception to the album's sinister spell is an abrupt cover of 'Diddy Wah Diddy.'
Remarkably, Slaughterhouse achieves a rare balance between overwhelming heaviness and Segall's inherent melodic sensibility. Tracks like 'Tell Me What's Inside Your Heart' showcase hopped-up harmonies reminiscent of early Beatles. The album's climactic 10-minute track, 'Fuzz War,' functions as a scorched-earth aftermath, reinforcing the album's immersive and intense listening experience. This closer brings the album's careening momentum to a halt in a uniquely visceral way.