Fortner's 'Tornado' of Jazz Celebrates Resilience

Pianist Sullivan Fortner, a three-time Grammy winner, has released his sixth album, "Leave That in There." This record represents a significant shift for Fortner, who embraced a less edited approach, influenced by a large monetary prize that boosted his confidence. The album draws heavily from his experiences growing up in New Orleans, particularly in the aftermath of Hurricane Katrina in 2005.

The title, "Leave That in There," is inspired by a moment from Spike Lee's documentary about the disaster, serving as an artistic manifesto against self-censorship. Fortner views music as a sanctuary where anything can happen, allowing artists to keep what they want rather than hide aspects of themselves. This philosophy permeates the album's diverse musical landscape, which includes nods to Louisiana's history, Latin influences, and electronic elements.

Fortner's personal connection to Katrina is profound; he was 18 when the hurricane devastated his hometown, causing him immense anxiety for his family and girlfriend. The album also touches upon the systemic failures highlighted by the disaster, referencing Wynton Marsalis's observations on American history. Despite the trauma, Fortner emphasizes the resilience of New Orleans's people, many of whom chose to return and rebuild.

His musical journey began in church and was further shaped by influential figures like organist Ronald Markham and pianist Fred Hersch, who instilled in him a trust in intuition. Fortner's work, particularly his collaborations with Cécile McLorin Salvant, embodies a spontaneous and forward-moving spirit, reflecting his belief that creative expression is a statement of the moment.