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Home / Arts and Entertainment / 'Sirât' Score Blends Techno Terror with Ambient Hope

'Sirât' Score Blends Techno Terror with Ambient Hope

9 Jan

•

Summary

  • Father searches desert raves for missing daughter in 'Sirât'.
  • Composer crafted techno score, then challenging ambient soundscape.
  • Film's score reflects escalating danger and emotional anguish.
'Sirât' Score Blends Techno Terror with Ambient Hope

The film 'Sirât' plunges viewers into a desperate search across Moroccan desert raves, where a father seeks his vanished daughter. Composer Kangding Ray detailed his approach to crafting the movie's distinctive score. The opening features a lengthy techno sequence, a genre familiar to Ray. He then faced the challenge of creating an ambient soundscape that captured the film's mounting dread and emotional turmoil.

Ray elaborated on the score's evolution, noting the difficulty in balancing aggression, violence, and grief to support the narrative. The film, described as ambitious and radical, explores universal themes set against the vast desert backdrop. Ray worked closely with director Oliver Laxe, aiming to score the script rather than the final picture.

The electronic music, created with modular synthesizers, allowed for abstract sound design, blending natural recordings with synthesized elements. This approach enabled the score to reflect the story's shifts from normal experiences to nightmarish turns, like navigating a minefield, culminating in a score that implies the desert's immense scale.

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Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
The film follows a father searching for his vanished daughter at desert raves in Morocco.
The score for 'Sirât' was composed by musician Kangding Ray.
The score transitions from intense techno to ambient soundscapes, mirroring the escalating danger and emotional anguish of the characters' search.

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