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Shinichi Atobe: House Techno Gets Uncomfortable
27 Mar
Summary
- Shinichi Atobe's new album, Silent Way, is on his own label.
- The album experiments with microtonal dissonance and clashing textures.
- It marks his first release on Plastic & Sounds, not Demdike Stare.

Japanese producer Shinichi Atobe has released 'Silent Way,' his inaugural full-length album on his own Plastic & Sounds label. This move concludes his long-standing collaboration with Demdike Stare's DDS, a partnership that significantly publicized his unique sound and enigmatic persona.
'Silent Way' delves into hypnotic house and techno, now laced with microtonal dissonance and abrasive textures. While previous releases featured dubby, uptempo tracks, this new album balances more reflective pieces with its signature evolving soundscapes. Tracks like 'Rain 1' exhibit a neurotic, obsessive quality, while 'TRNS' introduces a threatening pulse with unresolved tension.
The album's more challenging compositions, such as 'Blurred' with its algorithmic haze and 'Syndrome' with its heterogeneous mixture, create a pervasive sense of unease. However, moments like the joyous 'Phase 2' and the beautifully lingering closer 'Defect' reveal Atobe's mastery in balancing his harsher instincts for harmonious results.
Despite 'Silent Way's' deliberate difficulty and ungainly quality, it demonstrates Atobe's enduring capability to surprise listeners. His willingness to explore the boundaries of sonic legibility remains a valuable aspect of his quarter-century career.