Faith and Felony: 'Saints' Blends Sacred Art Theft With Kinship

Director Mikel Gurrea's latest urban drama, "Saints," finds its narrative roots in Barcelona's Sants district, a departure from his previous rural settings. Gurrea was inspired by the idea of a locked church, likening it to a vault and prompting his research into religious art robberies.

The character of Lali, a thief who may also be grieving, emerged from this research. Her duality as both a performer and a genuinely sorrowful individual became central to the film's development.

Lali's strained relationship with her mother, Gloria, played by Ariadna Gil, forms a core conflict. Gloria's instinct to disappear clashes with her enforced role of caregiving, highlighting the tension between duty and the desire for freedom.

Victoria Luengo, who previously collaborated with Gurrea on "Suro," plays Lali. She was integral to shaping the character through workshops, exploring Lali's internal struggles between restlessness and responsibility.

"Saints" weaves together family drama, thriller, and heist genres. It examines different forms of family and care, suggesting connections between the theft of sacred objects and the act of caring for loved ones.

The film also delves into the ambiguous nature of religion and theft, drawing parallels between the ritualistic movements of thieves like Erik the Belgian and religious ceremony. This exploration allows Lali to discover a desire to connect with her mother.

Ultimately, "Saints" aims to be a film full of cinematic and religious mystery, reflecting the elusive nature of its protagonist and the complex themes of connection and wonderment.