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Vintage Lenses Revive Hollywood Magic on New Series

Summary

  • Rare 65mm Todd-AO lenses, unused for 50 years, were used.
  • The episode filmed used an Alexa 265 camera with a 65mm format.
  • A mid-budget comedy constraint challenged ambitious production values.
Vintage Lenses Revive Hollywood Magic on New Series

Cinematographer Christian Sprenger described working on "Widow's Bay" as a dream, particularly for the Emmy-nominated episode "Our History." The production team resurrected rare Todd-AO 65mm spherical lenses, relics from classic films like "Oklahoma!" (1955) and "The Sound of Music" (1965). These lenses, discovered and restored by the American Society of Cinematographers, had been unused for approximately 50 years.

Sprenger collaborated with cinematographer Greig Fraser, who performed custom tuning on the vintage lenses. The episode, set in 1702, utilized an Alexa 35 camera for the main series but switched to an Alexa 265 with a 65mm format for the flashback. This, combined with a 1.43:1 aspect ratio, enhanced the image's depth and visual feel, aiming for a cinematic quality.

Director Ti West shifted the episode's aesthetic from Sprenger's initial vision of smooth camera movements to a handheld, close-up style focusing on Betty Gilpin's character. The team also employed practical effects and old Hollywood filmmaking techniques. A significant challenge was achieving high production values within the budget constraints of a mid-budget comedy, requiring rapid shooting schedules and careful planning.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.

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