Queer Filmmakers Challenge 'Assimilation Myth'

Directors Marcio Reolon and Filipe Matzembacher are exploring the 'assimilation myth' within queer cinema, a concept that suggests queer individuals will be accepted if they conform to dominant societal expectations. They argue this is a fallacy, as individuals become disposable once they are no longer deemed profitable.

Their latest film, 'Night Stage,' delves into this theme, using a sexually charged narrative to highlight the tension between performance and identity. The film's visual style, inspired by directors like Brian De Palma, contributes to its unique approach to complex subjects.

Reolon and Matzembacher, who have been partners in both life and work for 17 years, are expanding their cinematic vision. They are currently developing new projects in the horror and western genres, aiming to inject queer perspectives into these traditionally heteronormative spaces. This follows their earlier works, 'Seashore' and 'Hard Paint.'

The filmmakers also commented on recent political discourse in the film industry, specifically referencing Wim Wenders's stance on filmmakers staying out of politics. They believe this is a critical moment for open political expression, especially given their own family backgrounds rooted in activism during Brazil's military dictatorship.