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Mozambique Film Explores Faith, Fear, and Forbidden Doors
27 Jan
Summary
- Film debut explores spiritual struggles and temptation of forbidden powers.
- Shot over nine years in Mozambique with a non-professional cast.
- Themes include faith, tradition, and the consequences of opened doors.

Filmmaker Ique Langa's directorial debut, 'The Prophet' (O profeta), set to premiere at the International Film Festival Rotterdam's Tiger Competition, offers a meditative exploration of faith and its challenges. The film, a nine-year endeavor, was created with a non-professional cast in Manjacaze, a small town in southern Mozambique.
'The Prophet' follows Pastor Hélder, whose faith erodes, leading him to explore witchcraft and sacrifice in a bid to restore it. This narrative interrogates the age-old adage of Pandora's Box, questioning the possibility of unpunished transgression. Langa drew inspiration from the recent surge of pastors in Mozambique and his own childhood experiences in the village where the story is set.
The film's visual style, entirely in black and white, was a deliberate choice from the outset, aiming to capture a specific mood and resonance. Langa cited transcendental cinema masters like Robert Bresson and Yasujirō Ozu as influences, along with Mozambican art, particularly the works of Malangatana Ngwenya.




