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Kolesnikov: A Pianist's Sculptor of Sound
12 Dec
Summary
- Pianist Pavel Kolesnikov showcased mastery in Chopin, Rameau, and Duphly.
- His performance emphasized contrasts, from intimate delicacy to powerful expression.
- Kolesnikov's unerring sense of musical line captivated the audience.
Pianist Pavel Kolesnikov delivered a meticulously controlled program at Wigmore Hall, featuring works by Chopin, Rameau, and Jacques Duphly. His performance began with Chopin's Waltz in C sharp minor, Op. 62 No. 2, notable for its intimate and delicate touch. This was followed by movements from a suite by the largely forgotten French composer Duphly, which Kolesnikov presented as a cohesive fantasia.
Kolesnikov further explored contrasts with Chopin's Nocturne in E flat, Op. 55 No. 2, balancing rhapsodic legato with finely tuned dissonance. The interval performance of Chopin's Piano Sonata No. 3 in B minor, Op. 58, highlighted his intense focus on the piece's unfolding narrative and virtuosic demands.
The central selection of Rameau's works ultimately demonstrated Kolesnikov's exceptional skill in sonic sculpting. His ability to render both quiet, tinkling passages and rapid, limpid episodes with high-definition contrast drew the audience into a continuously evolving musical journey.
