Queer Artist Marries Wealthy CEO: A Study in Contrasts

Jess Ho's first novel, 'People With Money,' scrutinizes the unconventional union between Amy, a queer, non-binary Asian artist, and Edward, a significantly older, affluent CEO. Their relationship, marked by profound differences in race, class, and gender, is explored from their initial meeting to a swift proposal, echoing themes found in works by Jessie Tu and Kiley Reid.

Edward's casual racism and disregard for Amy's pronouns, coupled with Amy's outspoken nature, create significant friction. The novel's sharp, sarcastic tone is evident, though some antagonists verge on caricature. Amy's social circle, comprised of wealthy art school friends, further emphasizes their outsider status.

The narrative also introduces Catherine Swell, Amy's art teacher and mentor, who provides Amy with crucial support and access to opportunities. Ho's background as a food writer enriches the text, with vivid descriptions of meals offering a lens through which to view the couple's relationship.

Despite its strengths, the novel falters in depicting Amy's agency at critical junctures. The inclusion of the 2019 Hong Kong protests feels underdeveloped, serving only briefly to connect Amy's Australian life to their cultural heritage. Ultimately, 'People With Money' offers a promising premise but struggles to fully realize its satirical potential.