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The National Evolves with Boxer's Nuance

Summary

  • Boxer features restrained and controlled intensity, a shift from Alligator.
  • Bryan Devendorf's drumming is central, pushing songs with precision.
  • Berninger's lyrics observe others, showing more empathy than before.
The National Evolves with Boxer's Nuance

The National's third album, Boxer, is being hailed as a "grower," much like its predecessor, Alligator. It builds upon the band's signature clever phrasing and dramatic intensity, presenting them in a more restrained and controlled manner.

Opening with "Fake Empire," the album establishes a late-night, isolated mood sustained throughout its ten tracks. Twin guitars create a unified backdrop, while string and horn arrangements add subtle drama. The drumming of Bryan Devendorf is particularly highlighted, actively shaping the songs with machine precision.

Unlike the introspective nature of Alligator, Boxer sees Matt Berninger observing the external world with increased empathy. His lyrics explore themes of assimilation and American angst, maintaining ambiguity and moving away from satire. The album captures a sense of looking outward from a mental space.

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