Mermaid's Song Lost, Not Voice, in Dazzling Stage Show

A new stage adaptation of Hans Christian Andersen's 'The Little Mermaid' at the New Vic theatre in Newcastle-under-Lyme offers a unique take on the classic tale. This version, titled 'Coralie,' replaces the lost voice with a lost siren song, shifting the narrative focus towards the importance of sibling bonds and the conflicts between sea and land inhabitants. The production is characterized by its innovative use of circus skills and striking visual design.

Directed by Theresa Heskins and Vicki Dela Amedume, the show employs a live house band and vibrant circus choreography, with aerial silks and dynamic stage props enhancing the underwater atmosphere. Harrison Sweeney's portrayal of the Sea Witch is particularly noted for its slippery menace, aided by rope work that visually represents the protagonist's entanglement. The set design by Laura Willstead, featuring a versatile stage floor and shimmering projections, further immerses the audience in Coralie's world.

While lauded for its visual spectacle and reimagined themes, the adaptation also introduces elements of dark humor and critiques exploitation. The portrayal of both merfolk and the prince as potentially exploitative, alongside an awkwardly forced message about trade, adds complexity. Despite some dialogue that may become repetitive, the production ultimately delivers a bubbly yet thought-provoking experience, driven by its dazzling design and strong performances.