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Home / Arts and Entertainment / Mel Brooks: Laughter is Worth the Risk

Mel Brooks: Laughter is Worth the Risk

30 Jan

•

Summary

  • Brooks believes laughter is worth any risk.
  • His films like Blazing Saddles pushed taste boundaries.
  • Love, not cruelty, drives Brooks' humor.
Mel Brooks: Laughter is Worth the Risk

Mel Brooks, at 99, is celebrated as a pivotal American humorist whose career has consistently tested limits. His approach, often involving provocative humor, was rooted in a belief that laughter is paramount and worth any perceived risk.

His influential films, such as 'The Producers' and 'Blazing Saddles,' often faced initial resistance but are now revered. 'Blazing Saddles,' for instance, received encouragement for its boundary-pushing content, including a notable farting scene, despite some executive disapproval.

Brooks' journey spans from his Brooklyn childhood through World War II and into a prolific career marked by collaborations with Gene Wilder, Richard Pryor, and his wife, Anne Bancroft. The documentary highlights that love, rather than malice, fuels his comedic output.

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Reflecting on his legacy, Brooks notes that boldness, particularly when defending principles like attacking race prejudice in 'Blazing Saddles,' was key. He also shared insights into his creative process, including writing the theme song for 'The 12 Chairs' at Bancroft's urging.

His wartime experiences in Europe during World War II instilled values of honesty and loyalty, contrasting sharply with the

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Mel Brooks believes that laughter is worth any risk and that nothing is sacred except the laugh itself.
Brooks encouraged boundary-pushing content, believing that attacking issues like race prejudice with humor was valid and effective, even if considered questionable.
Brooks' work is driven by affection, a love for people, laughter, and the audience, demonstrating that love, not cruelty, is the engine of his comedy.

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