Maara's "Ultra Villain": Heartbreak Meets Hypnotic Beats

Montreal producer Maara has released her second album, "Ultra Villain," a collection that artfully navigates the complexities of lost love and obsession. The album's soundscape is characterized by patient waves of ambient, dub techno, and progressive house, eschewing dramatic crescendos for a more measured, immersive experience. Tracks like "Burn Up" offer pleasure-chasing trip-hop, while others, such as "Dangerous Games," capture the essence of unshakeable lust. "Gloves Off" delves into visions of betrayal, all set against a backdrop of deeply personal disarray.

"Ultra Villain" showcases Maara's evolving vocal prowess, moving beyond whispered talk-sing to reveal a nonchalant soubrette on "A Moving Blur," drawing comparisons to Eartheater. The album also experiments with reggaeton on "Dirt" and utilizes sliced-up moans as percussive elements in "Kiss the Ring." The production takes a darker, more dynamic turn on tracks like "The Chase," where thick acid lines evoke a sense of urgency. This work positions Maara alongside artists like Erika de Casier and Smerz, offering cool, poppy electronica that balances studied instrumentals with youthful, sex-crazed lyrical whimsy. The title track reflects on self-awareness and interpersonal dynamics, embodying a crepuscular somberness that acknowledges the fleeting nature of bliss.