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Home / Arts and Entertainment / Linklater's Unconventional Approach to Capturing the French New Wave

Linklater's Unconventional Approach to Capturing the French New Wave

15 Nov

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Summary

  • Linklater's "hangout" film style aims to make viewers feel like they're participating
  • Linklater intentionally avoided the "self-important" tone of most historical films
  • Linklater cast fresh-faced French actors to capture the spirit of the French New Wave icons
Linklater's Unconventional Approach to Capturing the French New Wave

In a recent interview, acclaimed director Richard Linklater discussed his unconventional approach to capturing the essence of the French New Wave in his latest film. Linklater, known for his "hangout" style of filmmaking, where the audience feels like they're participating in the characters' lives, wanted to recreate that same sense of intimacy and immediacy for his film about the making of Jean-Luc Godard's "Breathless."

Rather than the "self-important" tone of most historical films, Linklater deliberately avoided that and instead sought to immerse the audience in the everyday lives of the French New Wave icons. He instructed his ensemble of fresh-faced French actors to portray the characters as dismissive of the young Godard, who was still an "obscure film writer" at the time.

Linklater believes that films about historical figures can often suffer from the distraction of star power, where the audience is too aware of the actor playing the icon. By casting lesser-known actors, he was able to transport the audience to the era, allowing them to feel like they were truly "hanging out" with the characters as they made a groundbreaking film.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Linklater aimed to create an immersive "hangout" atmosphere and cast lesser-known French actors to avoid the "self-important" tone of typical historical films.
Linklater told the actors playing the "Breathless" crew to view the young Jean-Luc Godard as an "obscure film writer" who "probably doesn't know what he's doing" and whose film "probably won't work."
Linklater believes that films about historical figures can often suffer from the distraction of star power, where the audience is too aware of the actor playing the icon. By casting lesser-known actors, he was able to transport the audience to the era.

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