Succession Meets Game of Thrones in Daring King Lear

Matthew Dunster's new production of King Lear at the Royal Exchange theatre offers a disruptive reinvention of the Shakespearean tragedy. This staging draws clear parallels to contemporary shows like Succession and Game of Thrones, centralizing the dynamics of dynastic power struggles among younger generations vying for control around a fracturing figurehead. The play is updated with a modern setting, featuring elements like jeans, car keys, and handguns, within Anna Fleischle's versatile set design that transforms into various locations. David Threlfall takes on a dual role, performing both King Lear and his Fool. This significant rewrite removes the traditional Fool character as a separate entity, with Threlfall embodying both halves of their duologues. This choice, while potentially highlighting the insularity of power, also removes Lear's candid truth-teller. The production emphasizes parenting, siblings, and senility, with Threlfall's Lear feeling neurologically forensic. Jonathan Slinger's portrayal of Gloucester is notably unpleasant, suggesting harsh child-rearing methods. The staging also incorporates introductory erotic dumb shows and features music from Mercury prize-nominated artist Nadine Shah, using seduction as a power tactic. This integration of themes like procreation and inheritance aligns with the brutal family dynamics depicted, though at times it can feel like a blend of Succession and Game of Thrones. "Letters" and "notes" are made tangible, with correspondence delivered and opened, reflecting a modern postal service. Isobel Akuwudike's Cordelia hints at inheriting her father's wilful anger. Despite some perceived gimmicks, Threlfall delivers a deeply affecting performance, particularly in Lear's deathbed scenes.