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Home / Arts and Entertainment / Kevin Smith Recovers Dogma Rights After Decades-Long Battle

Kevin Smith Recovers Dogma Rights After Decades-Long Battle

31 Jan

•

Summary

  • Filmmaker Kevin Smith is writing a sequel to 'Dogma' nearly 30 years later.
  • Smith fought for years to regain rights from Harvey Weinstein.
  • A hedge fund acquired the rights, allowing Smith a second chance.
Kevin Smith Recovers Dogma Rights After Decades-Long Battle

Filmmaker Kevin Smith is actively working on a sequel to his 1999 theological comedy, 'Dogma,' almost thirty years after the original film's premiere. Smith recently shared his extensive efforts to reacquire the rights to 'Dogma,' which had been personally held by disgraced producer Harvey Weinstein.

Smith recounted multiple attempts to buy back the film, beginning with an offer of $250,000, later increasing to $500,000, and eventually a million-dollar bid involving stars Ben Affleck and Matt Damon. These efforts were repeatedly met with refusal from Weinstein.

The rights eventually became available when a hedge fund purchased a package of films from Weinstein, who was reportedly facing financial and legal difficulties. This new owner did not sell 'Dogma' to Smith but agreed to partner with him for re-releases.

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Smith views this as an opportunity to engage with his work again, stating he is no longer motivated by financial gain but by the joy of creating and connecting with audiences. He recently completed a successful 25th-anniversary tour for 'Dogma,' observing how new generations are discovering the film through their parents.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Kevin Smith is working on a sequel to his 1999 film 'Dogma,' nearly thirty years after its original release.
The rights to 'Dogma' were acquired by a hedge fund from Harvey Weinstein, who personally owned them. This fund then partnered with Smith for re-releases.
Smith stated he is now motivated by the joy of creating and connecting with audiences rather than financial gain, and sees the sequel as a chance to revisit his work.

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