Guitarist Channels Meteors & Aymara Rites

Joshua Crampton, known for his work with Los Thuthanaka, has released his latest solo album, 'Anata.' This collection proudly wears an "Un-Mastered" disclaimer, presenting music in its most elemental, in-the-red form. The album's raw, unvarnished texture is inspired by the ceremonies of the Aymara people, of which Crampton is a member.

'Anata' aims to capture the intensity of these ceremonies, mirroring how they might be perceived through a modern, flattened recording. Crampton cites a Bolivian critic who described his music as 'activated ceremonial music,' suitable for urban ceremonies. This approach highlights a spiritual truth found in the unpolished sounds of the post-analog era.

The 25-minute album is Crampton's most musically expansive solo effort to date. While primarily focused on solo guitar, it artfully incorporates Bolivian instrumentation, including the bombo italaque, charango, and ronroco lutes. The rhythms of Andean styles like salay and huayno are present, often played through palm-muted guitar riffs, creating a unique blend of tradition and raw electricity.