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Bossa Nova Pioneer João Gilberto's Lasting Impact on Jazz and Music
19 Oct
Summary
- João Gilberto's unique singing style and rhythmic guitar playing inspired a new generation of Brazilian musicians
- Saxophonist Stan Getz was in awe of Gilberto's "curious ability to sing warmly without a vibrato" and "impeccable rhythmic sense"
- Gilberto's 1959 album "Chega De Saudade" ignited a revolution in Brazilian music

Over 45 years ago, in 1976, American saxophone superstar Stan Getz introduced Brazilian singer and guitarist João Gilberto to the stage, describing him as "the most individual singer of our time, a true originator." Getz was in awe of Gilberto's "curious ability to sing warmly without a vibrato, his impeccable and inimitable rhythmic sense, his intimacy, all coupled to his wonderful guitar work," which made him a truly unique artist.
This reverence for Gilberto's talents was not limited to Getz. In 1964, the two musicians collaborated on the album "Getz/Gilberto," which brought the dreamy, sophisticated sound of bossa nova to an enormous new audience around the world. However, Gilberto's influence had already been felt in his home country of Brazil, where his 1959 solo album "Chega De Saudade" had ignited a revolution in samba and transformed Brazilian music. As one historian noted, "The kids could see themselves in that music," inspiring a new generation of musicians to pick up the guitar.
Even decades later, Gilberto's impact on jazz and global music remains profound. As the musician Caetano Veloso said, "I owe João Gilberto everything I am today. Even if I were something else and not a musician, I would say that I owe him everything."




