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Home / Arts and Entertainment / India's VFX Boom: Ramayana & HanuMan Set New Standards

India's VFX Boom: Ramayana & HanuMan Set New Standards

26 Nov

•

Summary

  • Ramayana film aims for global VFX benchmark with massive scale.
  • Filmmakers emphasize technology must serve the story, not lead it.
  • AI predicted to redefine filmmaking, creating emotional cinematic experiences.
India's VFX Boom: Ramayana & HanuMan Set New Standards

The Indian film industry is experiencing a significant surge in visual effects (VFX) capabilities, with ambitious projects redefining cinematic scale. Director Nitesh Tiwari is spearheading "Ramayana," India's most expensive film, which aims to set a global benchmark for VFX and visual storytelling. Tiwari described the five-year virtual production process as both daunting and liberating.

Fellow filmmakers Prasanth Varma and Ashwin Kumar, while acknowledging technological advancements, underscored the primacy of story. Varma, known for "HanuMan," stated that all crafts, including VFX, should support narrative delivery. He highlighted resourcefulness in filmmaking, balancing time and budget constraints.

Looking ahead, Ashwin Kumar foresees AI as a transformative force, predicting its capability to create emotionally resonant films within five years. Tiwari also expressed interest in directing an animation film for a global audience, rooted in Indian culture. The discussion highlighted how innovation and ambition are propelling Indian cinema forward.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Nitesh Tiwari's "Ramayana" is described as India's most expensive film, built for a global VFX benchmark with immense visual scale and craftsmanship.
Filmmakers predict AI will significantly redefine filmmaking in the next five years, potentially creating films that evoke deep emotional responses.
Filmmakers stress that technology, including advanced VFX and AI, must serve the story and enhance its grander delivery, not drive the narrative itself.

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