Studio Museum's 'Fade' Redefines Blackness in Art

The Studio Museum in Harlem's "Fade" exhibition, currently on view, presents the work of 17 artists of African and Afro-Latino descent. This show continues a series of exhibitions that began with "Freestyle" 25 years ago, which launched the careers of many young Black artists.

The "F" exhibitions, loosely linked by their alphabetic theme, are united by the concept of "post-Black art," coined by Thelma Golden. This term describes artists who, while deeply interested in Blackness, resist being solely categorized as "Black artists."

"Fade" showcases works that are often private and formally eccentric, yet critically engage with identity, societal pressures, and the definition of Blackness. Emmanuel Louisnord Desir's "B.E.T. Syndrome" sculpture and Kiah Celeste's "Sink Belly" are among the pieces exploring these themes.

Additional artists like Y. Malik Jalal and Antonio Darden use mediums such as sculpture and photography to delve into personal histories and social commentary. Harlan Bozeman's photographic series documents life in Elaine, Arkansas, while Andina Marie Osorio's installation connects family heritage with environmental concerns in Puerto Rico.

Other artists, including London Pierre Williams and Amina Ross, address queer Black experiences through painting and digital animation. The exhibition also features diverse global influences, with works referencing West Africa, East Africa, and Jamaica, alongside Afro-futurist themes.

The sonic landscape of the exhibition, "A Praise of Shadows" by Jesús Hilario-Reyes, blends natural sounds with artificial ones, creating an immersive experience. The show's presentation in the museum's new, spacious building allows the art to be displayed to its full advantage.

"Fade" runs through September 6 at Studio Museum in Harlem, located at 144 West 125th Street.