Surprising Humor Found in Handel's 'Tolomeo'

Handel's "Tolomeo, Re d'Egitto," composed in 1728, showcased unexpected comedic potential, defying the typical seriousness associated with opera seria. The Philharmonia Baroque Orchestra's recent production centered on the opera's romantic entanglements rather than political disputes, following Ptolemy IX's exile and separation from his wife, Seleuce.

Peter Whelan led the orchestra with energetic direction, emphasizing dissonant moments to underline emotional tensions. Aryeh Nussbaum Cohen delivered a warm performance as Tolomeo, while Lauren Snouffer ably ornamented Seleuce's phrases. Nicole Heaston's portrayal of Elisa, however, was a standout, infusing the role with vibrant opera buffa spirit and captivating the audience.

Her dynamic performance as Elisa, a character driven by unrequited love and threats, provided a compelling foil to Tolomeo. Heaston's blend of coquetry and malice, complemented by her strong soprano, nearly dominated the production. The opera's potential for a tragic ending gave way to a surprisingly happy conclusion.