Handel's Saul: Opera intensity in oratorio

The London Handel festival commenced with an electrifying performance of Handel's "Saul," presented by the ensemble Arcangelo. Jonathan Cohen led the orchestra, infusing the oratorio with operatic drama and a keen sense of instrumental color. The performance highlighted "Saul's" unique musical elements, including its original use of instruments like the carillon and harp.

Christopher Purves delivered a commanding and intense portrayal of King Saul, his rich baritone embodying the monarch's descent into madness. Counterbalancing this was Hugh Cutting's performance as David, whose vocal performance was lauded as "liquid honey." The supporting cast, including Jessica Cale as Michal and Emőke Baráth as Merab, also contributed to the vibrant dramatic tapestry.

Handel's "Saul," originally composed in 1739, was the longest music theatre work in English at its premiere. The oratorio's narrative explores themes of dynastic rivalry and the complex relationship between Saul and David, featuring a memorable scene where the prophet Samuel's ghost is summoned. Despite minor acoustic challenges, the performance was celebrated for its dramatic depth and musical brilliance.