Home / Arts and Entertainment / Haitian Film Judges Justice with Bible
Haitian Film Judges Justice with Bible
25 Apr
Summary
- Film denounces Haiti's flawed justice system.
- Judge uses biblical text instead of law.
- Filmmaker left Haiti due to escalating violence.

Samuel Suffren's debut feature, "Job 1:21," has garnered industry attention at Visions du Réel, a leading Swiss documentary film festival. The film critically examines Haiti's justice system by recounting the story of a woman imprisoned for years without trial, whose fate is ultimately decided by biblical scripture rather than legal precedent.
Filmed between 2019 and 2021 in Port-au-Prince, "Job 1:21" follows former female inmates as they perform a play that denounces the nation's prison conditions. Central to the narrative is Nathalie, who advocates for her sister Aline's release from prolonged pretrial detention, a disturbingly common practice in Haiti.
Aline is unexpectedly freed during the COVID-19 pandemic due to prison overcrowding. However, her ordeal continues as she faces an in absentia judgment based on Job 1, verse 21 of the Bible, illustrating a system where superstition and authority intersect with dire consequences.
Suffren, who relocated to France in 2024 due to worsening violence that disrupted his filmmaking, describes his departure as a personal rupture. The escalating crisis in Port-au-Prince made his work impossible, forcing his collective to shut down and creating daily life challenges.
Producer Eugénie Michel-Villette emphasizes the film's direct cinema approach, capturing Haiti's chaotic reality with immense power. She highlights the parallel between the inmates' theater performance and the judicial "performance," where the latter fails to deliver justice but offers catharsis for the women.
"Job 1:21" represents a stylistic shift for Suffren, known for his visually distinct short films. Much of the footage is now archival, as key locations like the prison and theater have ceased to exist. The project is actively seeking partners for post-production, with additional sound work planned remotely due to Suffren's inability to return to Haiti.