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Home / Arts and Entertainment / Director Slams AI's Human Imitation

Director Slams AI's Human Imitation

9 Feb

•

Summary

  • Director fears AI's imitation of human traits.
  • Film explores AI dehumanization and cell phone hypnosis.
  • Verbinski criticizes AI for creative tasks, not solutions.
Director Slams AI's Human Imitation

Director Gore Verbinski, returning after a nine-year hiatus with "Good Luck, Have Fun, Don't Die," voices strong reservations about the rapid integration of artificial intelligence. The film, released theatrically on February 13, 2026, confronts themes of AI dehumanization, cell phone dependence, and societal indifference to gun violence.

Verbinski questions AI's role, stating he wants it to solve complex problems like cancer, not replicate human experiences like creativity or emotion. He worries about AI developing human flaws, as its core code is being manipulated by executives during its nascent stages.

The director also reflects on the challenges of getting original projects made in Hollywood, noting that studios primarily greenlight franchise films. He found renewed energy at festivals like Fantastic Fest, appreciating audiences who seek out unique cinematic experiences.

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Verbinski highlights his visual approach, using references from directors like Sidney Lumet and Stanley Kubrick to craft distinct looks for the film. He also discusses the decline in VFX quality, emphasizing the importance of anchoring CG elements with real-world physics and lighting for believability.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Gore Verbinski is concerned that AI is being programmed to imitate human creativity and emotion rather than focus on solving critical global issues like cancer, and fears it will inherit human flaws.
The film "Good Luck, Have Fun, Don't Die" explores themes of AI dehumanization, cell phone dependence, and societal indifference to gun violence.
Gore Verbinski finds it challenging to get original projects made, as studios predominantly invest in franchise films, though he appreciates audiences seeking unique cinematic experiences.

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