Girls' New LP: Retro Sounds, Modern Soul

Girls' sophomore LP, "Father, Son, Holy Ghost," is a richly textured album that draws heavily from musical pasts while maintaining a distinct identity. The first listen offers an uncanny familiarity, as if these songs have always existed, yet they sound entirely original.

The album's success lies in its clever pilfering from musical history, with clear nods to artists like Paul Simon, The Beatles, and Deep Purple. However, these influences are masterfully integrated, avoiding mere imitation. The production, helmed by Doug Boehm and the band, is exceptionally pristine, reminiscent of a bygone era of meticulous recording.

Crucially, the record comes alive through the vision of singer-songwriter Christopher Owens. His preternatural talent for transforming familiar tropes into deeply emotional songs provides a cohesive center. Owens' vocals, warmer and softer than on previous work, convey a compelling blend of weariness and innocence, anchoring the album's diverse sonic landscape.

Owens' distinctive vocal timbre, often compared to Elliott Smith, is clear and balanced even amidst complex arrangements. This careful recording ensures every word is heard, contributing to the album's overall emotional impact and unique artistic statement.