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Trash Transformed: Giant Trolls Rise from Waste
23 May
Summary
- Artist Thomas Dambo creates large troll sculptures from recycled materials.
- His work is now showcased in a museum exhibition, marking art world acceptance.
- The exhibition aims to change public perception and relationship with garbage.

Artist Thomas Dambo has achieved a significant milestone with his exhibition, "The Garbage Man," opening at the Arken Museum of Contemporary Art southwest of Copenhagen. This marks a new level of acceptance for the 47-year-old artist, who has spent over a decade creating nearly 200 giant troll sculptures from recycled wood and installing them in diverse locations worldwide.
Dambo's process involves sourcing materials from recycling stations, transforming discarded items into art. The Arken exhibition playfully inverts his usual practice, creating a landscape where trolls appear to have brought trash into the museum to build a human figure. This approach is intended to alter public perspectives on waste, emphasizing that trash can hold value.
While Dambo's outdoor installations often invite interaction, the museum setting will be more controlled. Despite this, the museum anticipates a large influx of visitors, many new to the institution. Dambo, who was introduced to dumpster diving as a child in Odense, Denmark, draws inspiration from Nordic folklore and his early graffiti art experiences.
His studio, "Rancho Dambo," located near Roskilde, Denmark, employs a team of assistants and volunteers who help construct the trolls. The studio's work is largely funded by commissions, allowing Dambo to select projects that align with his mission. The Arken exhibition challenges artists and institutions to reconsider material consumption, presenting waste as a medium for artistic expression.
Dambo acknowledges the shift to a museum environment, noting that while it presents new opportunities, he remains a street artist at heart. The exhibition, which runs through November 29, explores themes of community, waste, and the transformative power of art, pushing the boundaries of how we perceive and interact with discarded materials.