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Frang Unearths Korngold's Hidden Expressionism
17 Apr
Summary
- Vilde Frang highlighted Korngold's expressionist side in his Violin Concerto.
- Imogen Holst's 'Persephone' showcased her unique compositional ideas.
- Pappano led the LSO through a dramatic interpretation of Shostakovich's 5th.
Vilde Frang's performance of Erich Wolfgang Korngold's 1945 Violin Concerto at Barbican Hall brought the work's expressionistic elements to the forefront. Frang emphasized the music's strangeness and spikiness, particularly in the slow movement, while still honoring Korngold's melodic lines with intense sweetness.
The concert opened with Imogen Holst's 1929 tone poem, 'Persephone.' Initially reminiscent of Ravel, the piece evolved into a 12-minute exploration of texture, color, and tonality, building towards a glowing conclusion that referenced its opening.
Antonio Pappano conducted the London Symphony Orchestra through a compelling program. The Shostakovich's Fifth Symphony received a dramatic interpretation, with Pappano building tension in the first movement and drawing out tragic, romantic dimensions in the slow movement, culminating in a thrilling finale.
