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Home / Arts and Entertainment / Filmmaker Unearths Hidden Truths in Fascist Archives

Filmmaker Unearths Hidden Truths in Fascist Archives

21 Nov, 2025

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Summary

  • Filmmaker de Sousa Dias uses fascist regime archives to reveal suppressed history.
  • She discovered hidden stories of torture and repression in police records.
  • Editing techniques and music help expose the dictatorship's hidden narratives.
Filmmaker Unearths Hidden Truths in Fascist Archives

Portuguese filmmaker Susana de Sousa Dias is interrogating her country's fascist past through a unique use of archival materials. Inspired by Italian neorealism, she focuses on the period of dictatorship in Portugal, specifically the methods employed by António de Oliveira Salazar's regime. De Sousa Dias's films explore the extensive archives of the political police, seeking to uncover the hidden realities behind official records.

Her process involves re-examining propaganda films and photographs, juxtaposing them with testimonies from former prisoners. De Sousa Dias revealed that the official archives omit details of torture, compelling her to "fill some of these gaps" through her cinematic work. She meticulously edits images, finding "something in the image that had escaped the message that the regime wanted to convey."

The composer António de Sousa Dias's music played a crucial role, organizing the film's structure like an exhibition. Despite facing difficulties accessing archives, de Sousa Dias employed creative methods, likening her persistence to Werner Herzog's "good criminal energy." Her approach transforms images into active entities, revealing the suppressed histories of a nation.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
She uses archival footage and police records from the fascist era to uncover suppressed truths about torture and repression.
Portuguese authorities made access difficult, requiring authorization from individuals in photos, a process she found 'Kafkaesque'.
She uses editing techniques and music to find and highlight details within the images that contradict the regime's intended message.

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