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Home / Arts and Entertainment / Filipino-Indonesian Drama Examines Grief and Survival

Filipino-Indonesian Drama Examines Grief and Survival

3 Nov

•

Summary

  • Filipino-Indonesian co-production explores grief and survival
  • Film centers on 19-year-old Rosemary's search for a missing boy
  • Director aims to depict "quiet persistence" in the face of loss
Filipino-Indonesian Drama Examines Grief and Survival

The Taiwan Creative Content Agency (TAICCA) is currently spotlighting a Filipino-Indonesian co-production, "The Void is Immense in Idle Hours," at the Taiwan Creative Content Fest (TCCF) running from November 4-7, 2025 in Taipei.

Directed by Sam Manacsa and produced by a team from the Philippines and Indonesia, the film centers on 19-year-old Rosemary, who becomes the last person to see a young boy before his disappearance. As Rosemary finds herself alongside the child's grieving mother Agnes in the search, she confronts unspoken grief and forgotten dreams in the stillness of their shared days.

The narrative draws from the reality of mothers who have lost sons to violence without answers or justice. Director Manacsa explains that the film explores "quiet persistence" - the small, unspoken ways people keep moving when grief never ends. "In a society where violence has become ordinary, the film asks what kind of life is left to live, and what it still means to live at all," he says.

The production is currently in the financing stage, with plans to begin prep work in late 2026 and principal photography targeted for the second quarter of 2027. The team is seeking production partners who share their vision for intimate, socially conscious storytelling.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
The film follows 19-year-old Rosemary as she searches for a missing boy, confronting unspoken grief and forgotten dreams alongside the child's grieving mother.
The film is directed by Sam Manacsa, a Filipino filmmaker.
The production is currently in the financing stage, with plans to begin prep work in late 2026 and principal photography targeted for the second quarter of 2027.

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