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Home / Arts and Entertainment / Emraan Hashmi: India Loves Toxic Masculinity?

Emraan Hashmi: India Loves Toxic Masculinity?

13 Jan

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Summary

  • Actor Emraan Hashmi explains films' appeal despite criticism.
  • He links commercial success to audience identification with characters.
  • Hashmi calls for more women-led films, citing industry insecurity.
Emraan Hashmi: India Loves Toxic Masculinity?

Actor Emraan Hashmi has shared his views on the persistent debate around hypermasculinity in Hindi cinema. He suggests that films glorifying "toxic" male characters, despite facing criticism from a "woke culture," continue to draw large audiences because many viewers identify with them. Hashmi posited that this trend reflects the current social reality in India, which underpins the commercial success of movies like 'Animal.'

Hashmi also expressed a desire for a more diverse cinematic landscape, particularly advocating for an increase in women-led narratives. He noted that industry professionals often shy away from such subjects due to personal insecurities, preferring stories that emphasize male triumphs. Referencing his own past choices like 'The Dirty Picture,' he urged colleagues to overcome these apprehensions and embrace varied storytelling.

Despite his advocacy for change, Hashmi acknowledged the current commercial formula driving mainstream cinema, which often relies on hyper-masculine protagonists and established tropes. He sees the rise of streaming platforms as a potential catalyst for evolving storytelling, reminiscent of the shift towards romantic films in the 1990s, and anticipates further evolution in cinematic narratives.

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Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Emraan Hashmi suggests these films resonate with a significant male audience who identify with the characters, despite 'woke' cultural backlash.
He desires more women-centric films but notes industry insecurities often lead to prioritizing male-dominated narratives.
Hashmi believes current trends favor hyper-masculine heroes, but anticipates evolving storytelling, possibly influenced by OTT platforms.

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