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Home / Arts and Entertainment / Ballerina's Tattoos & Style Rebellion

Ballerina's Tattoos & Style Rebellion

26 Jan

•

Summary

  • Ballerina Madeline Woo embraced tattoos and edgy style as rebellion.
  • She aims to feel good while dancing, challenging traditional aesthetics.
  • Woo launched her ballet outfit brand, Maddwoo Studios, on Thanksgiving.
Ballerina's Tattoos & Style Rebellion

Madeline Woo, a principal dancer with the San Francisco Ballet, openly embraces a style far removed from traditional ballet aesthetics. Fully tattooed with a distinctive edgy look, she describes her personal style as "grungier" than that of her peers. Woo's journey in ballet was marked by pressures related to appearance and weight, prompting her to adopt a rebellious aesthetic.

This personal rebellion against conventional ballet attire, including the "awful leotard" and pink tights, inspired Woo to create her own brand, Maddwoo Studios. Launched on Thanksgiving with the help of her boyfriend, Ethan Watts, the brand offers ballet outfits designed to help dancers look and feel good. Woo found that adopting her unique style significantly boosted her confidence and self-image.

The response to Maddwoo Studios and Woo's online presence has been overwhelmingly positive, with many people connecting with her story. Despite some negative comments on social media regarding her tattoos and non-traditional appearance, Woo acknowledges their benefit for online visibility. She continues to advocate for a more inclusive and comfortable approach to ballet wear.

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Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Madeline Woo is a principal dancer with the San Francisco Ballet known for her edgy, tattooed style which she describes as "grungier" than traditional ballerinas.
She launched Maddwoo Studios on Thanksgiving to offer ballet outfits that allow dancers to feel good and confident while embracing their personal style.
Woo adopted an edgy look as a rebellion against the strict, traditional aesthetics of ballet, finding it helped her confidence and self-image.

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