Ballet's Trashy 'Dracula' Hits the Stage

Ballet is embracing its "low art" side with BIG Live's "Dracula," currently running at the Orpheum Theatre through July 12. This production challenges traditional notions of ballet by incorporating elements often associated with schlocky or trashy entertainment, suggesting that the art form is capacious enough to hold both high and low sensibilities.

The choreography, by Joel Burke who also plays Jonathan Harker, has been noted for moments of gracelessness. Some scenes feature characters performing what is described as "confetti-cannon" style dancing, attempting to convey intense emotion through broad physical gestures. The narrative pares down Bram Stoker's novel to focus on Dracula, Mina, and Jonathan, taking significant liberties with the original story.

Despite its shortcomings, the production excels in creating atmosphere through "vibes." Dracula's dramatic entrances, bat-like cape splaying, and the chilling movements of his slave ghost brides contribute to a haunted house feel. The show explores interesting dance concepts, such as Dracula's power manifesting through ballet after feeding and his ability to puppeteer his victims.

This "Dracula" production seeks to bridge artistic horizons, much like "The Rocky Horror Show" did for musical theater. It offers a unique, albeit unconventional, ballet experience that aims to entertain audiences with its bold fusion of genres.