Devil Wears Prada Sequel: Rogers's Nostalgic Return to Fashion Camp

Molly Rogers, who served as associate costume designer on the original "The Devil Wears Prada," has returned as lead designer for its highly anticipated sequel. Rogers described the experience as akin to "coming back to summer camp," highlighting a sense of familiarity and comfort during production.

For Miranda Priestly's return, Rogers collaborated with Meryl Streep to envision a show-stopping red gala look. The resulting ensemble is a custom Balenciaga asymmetrical gown in red silk super taffeta, a design meticulously crafted in Paris. Streep's white hair was considered the perfect frame for this vibrant statement piece.

Anne Hathaway's character, Andy Sachs, is depicted in a sophisticated yet edgy ensemble for an interview. Rogers opted for a black Jean Paul Gaultier pinstriped vest worn without a shirt, paired with matching slacks. A surprising detail is the vest's all-white silk back, adding an unexpected flair.

Emily Charlton's wardrobe also received a style update, featuring a sequined Dior houndstooth power suit with a Zimmermann leather capelet. Rogers aimed to give Emily's character, known for her mix-and-match aesthetic, a modern edge while still referencing her original style.

Rogers emphasized the collaborative nature of costume design, noting that actors must feel comfortable in their roles. This approach was evident when designing a Dries Van Noten jacket for Streep, which she approved, and when creating Andy's sheer Armani Privé blouse for a gala look, overcoming initial directorial reservations.

Miranda's dazzling Armani Privé overcoat, adorned with crystals and sequins, transformed her into a "human disco ball" while walking through Milan's Galleria. Rogers initially had reservations about pairing a soft tie-neck blouse with such a statement piece but found the combination surprisingly strong. Emily's gala dress, a strapless Dior gown with opera gloves, was a personal favorite of Rogers's, though it ultimately did not make the final cut.