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Home / Arts and Entertainment / Prasoon Joshi Defends CBFC's Balancing Act

Prasoon Joshi Defends CBFC's Balancing Act

17 Jan

•

Summary

  • CBFC chief Prasoon Joshi states public opinion is driven by few controversial examples.
  • Joshi emphasizes CBFC's role is to balance societal views with filmmaker intent.
  • He advocates for dialogue ('samvaad') over confrontation for decision-making.
Prasoon Joshi Defends CBFC's Balancing Act

Central Board of Film Certification (CBFC) chairman Prasoon Joshi has addressed the persistent discussion regarding the board's role, differentiating between certification and censorship. Joshi suggests that public outcry often focuses on isolated incidents, overshadowing the many films that pass without controversy. He stated that the CBFC's mandate involves a delicate balancing act between societal norms and creative freedom.

Joshi elaborated that disagreements are natural when art and public sentiment intersect, acknowledging that both filmmakers and audiences may at times feel dissatisfied. He highlighted the rigorous efforts of CBFC committee members who constantly work to reconcile differing viewpoints, emphasizing that there is no single formula for the 'best solution'.

The chairman advocates for 'dialogue, not confrontation' to resolve disputes. He explained that while filmmakers aim to express their vision without intending offense, audience reception can vary. Joshi concluded that open communication is the most effective means to clarify misunderstandings and ensure a balanced approach within the existing rules and regulations.

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Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
According to Prasoon Joshi, the CBFC's primary role is to balance societal expectations with the creative intent of filmmakers.
Joshi acknowledges the debate, stating the CBFC's function is a balance, and disagreements are inevitable.
Prasoon Joshi advocates for dialogue and understanding ('samvaad') between filmmakers and committee members rather than confrontation.

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