What is the central theme of Mari Selvaraj's film 'Bison: Kaalamaadan'?

The film explores the impact of caste-based oppression on the life of kabaddi player Vanathi Kittan, as he faces repeated setbacks due to systemic injustice.

How does the film 'Bison: Kaalamaadan' portray the cycle of violence in the village?

The film examines the ongoing feud between faction leaders Pandiyaraja and Kanthasamy, who are trapped in a cycle of inherited enmity that they struggle to break free from, despite recognizing its futility.

What is the significance of director Mari Selvaraj's filmography in addressing social issues?

Selvaraj's films, including 'Pariyerum Perumal' and 'Karnan,' have consistently documented the harsh realities of caste discrimination and systemic oppression faced by marginalized communities, earning him critical acclaim for his unflinching portrayal of social injustice.

Home / Arts and Entertainment / Caste Oppression Haunts Kabaddi Star's Rise to Glory

Caste Oppression Haunts Kabaddi Star's Rise to Glory

22 Oct

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Summary

Kabaddi player Vanathi Kittan's dreams repeatedly crushed by caste-based injustice
Faction leaders Pandiyaraja and Kanthasamy trapped in cycle of inherited violence
Director Mari Selvaraj's films document harsh realities of caste oppression

Caste Oppression Haunts Kabaddi Star's Rise to Glory

As of October 22nd, 2025, director Mari Selvaraj's recent film 'Bison: Kaalamaadan' has once again held up a mirror to the harsh realities of caste-based oppression in India. The film follows the story of kabaddi player Vanathi Kittan, who is the victim of relentless caste injustice. Despite his talent and determination, Kittan's dreams are repeatedly crushed whenever life begins to seem hopeful for him.

The film also explores the ongoing feud between two powerful factions, led by Pandiyaraja and Kanthasamy. While the gang war affects the lives of people in the lower rungs of society, including Kittan, the leaders themselves are trapped in a cycle of inherited violence that they struggle to break free from. In a moment of self-reflection, Pandiyaraja acknowledges that the enmity has become so ingrained that he is unable to discontinue the violence, even if he wants to.