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Broadway's 'Chess' Reimagined as Clunky Blend of Genres
17 Nov
Summary
- Director Michael Mayer's new version of 'Chess' sets the Cold War musical at "garish, sometimes glorious, war with itself"
- Arbiter character added as an omniscient narrator to contextualize the show for modern audiences
- Lead performers deliver earnest, Broadway-style performances despite the show's self-aware, meta-theatrical framing

On November 16, 2025, director Michael Mayer's new Broadway production of the 1980s musical 'Chess' opened at the Imperial Theater. The show, which centers on the rivalry between American and Soviet chess wizards and the woman caught between them, has been given a modern makeover that sets it at "garish, sometimes glorious, war with itself."
Mayer has brought in screenwriter Danny Strong to introduce new packaging, with geopolitics and nuclear anxiety widening the scope of the show. An administrative role from past productions, The Arbiter, has been transformed into an omniscient narrator who contextualizes the story for modern audiences, acknowledging the show's dated and corny elements.



