Home / Arts and Entertainment / Mahesh Bhatt's 'Arth': A Suicidal Climax That Worked
Mahesh Bhatt's 'Arth': A Suicidal Climax That Worked
8 May
Summary
- The film's unconventional ending was initially deemed a box office failure.
- Filmmakers warned director Mahesh Bhatt against the 'suicidal climax'.
- The movie's success was attributed to its unconventional storyline and self-discovery theme.
The 1982 film 'Arth,' directed by Mahesh Bhatt, defied industry expectations with its controversial ending, where the protagonist chooses independence over reconciliation with her husband. Distributors and exhibitors widely dismissed the film as a commercial failure, predicting its box office doom due to the unconventional climax. Even respected filmmakers advised Bhatt to alter the ending to align with traditional cultural expectations of wives embracing wayward husbands.
Despite the widespread apprehension, Bhatt drew inspiration from philosopher UG Krishnamurti's radical ideas, which challenged tradition and societal conditioning. This philosophical backing bolstered Bhatt's resolve to maintain the film's integrity. 'Arth' was released in 1983 and, against all odds, resonated with audiences, marking a significant critical and commercial success. The film, a semi-autobiographical drama, delves into themes of infidelity, abandonment, and a woman's journey toward self-realization. The pivotal moment sees Pooja, portrayed by Shabana Azmi, assert her agency by choosing to walk away from her husband and a potential new relationship. This bold narrative choice proved to be a turning point for Bhatt's career after a series of less successful films.
Producer Kuljit Pal's support for Bhatt's vision was instrumental in the film's eventual triumph. The movie's unexpected success, particularly its 'suicidal climax,' was validated by audience applause, signaling a shift in cinematic storytelling and a testament to its powerful impact.
