Filmmaker Reimagines Horror with "Joan of Arc vs. Jesus"

Anna Biller's new film, "The Face of Horror," is set to premiere at the Toronto International Film Festival, seeking distribution. Adapted from the Japanese ghost story "Yotsuya Kaidan," the film reimagines the narrative within a medieval English setting.

Biller describes the film's climax as "Joan of Arc versus Jesus," highlighting her intent to invert typical horror conventions. Instead of focusing on female suffering, the movie explores themes of courtship, power, and gender roles through a female lens.

The director aimed to create a horror film that eschews the spectacle of female torment, inspired by classic noir and tragic storytelling. She meticulously designed sets and sourced jewelry over two years, employing specific lighting techniques for a distinct visual style.

"The Face of Horror" follows Biller's cult hit "The Love Witch." Both films delve into female perspectives on societal expectations and power dynamics. Biller emphasizes that actors commit to dramatic roles, creating unexpected comedy through their full immersion.

The film faced casting challenges, with Kristine Froseth joining last minute. Froseth actively contributed to script revisions, impressing Biller with her collaborative approach. Biller also noted the contrast between her handmade filmmaking process and the rise of AI.

Biller's fascination with witchcraft stems from its metaphorical representation of women as outsiders. Her distinctive use of vibrant color, inspired by her painter father and film studies, serves as a narrative tool, influencing the storytelling.