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Actor Innanen: The 'Inner Opposites' of 'Adults'
10 Sep
Summary
- Sitcoms now have shorter seasons, limiting creative possibilities.
- Paul Baker's character explored complex duality this season.
- Actors desire viewers to accept their full selves, flaws included.
The current trend of streaming services favoring shorter seasons, often around 10 episodes, impacts sitcom production, limiting the scope for "filler" episodes that were common in 22-episode formats. This constraint was noted by actor Elias Koteas regarding the show "Adults," which has aired 17 episodes across two seasons. Despite shorter airtime, the series maintains classic sitcom elements, even incorporating meta-commentary and personal laugh tracks for guest stars like Raven-Symoné.
Season two of "Adults" explored deeper character arcs, revealing previously hidden facets of the ensemble. Koteas elaborated on this, referencing the concept of "inner opposites" where characters present charming exteriors while harboring internal conflicts or less desirable traits. This thematic exploration was particularly evident in the Paul Baker-Anton relationship, which began with a marriage of convenience in season one and evolved significantly throughout season two.
Koteas played Paul Baker, a character whose duality, including an alter ego named "Baker," presented both personal challenges and thematic depth. He expressed initial apprehension about how this complexity might affect audience perception but found the exploration therapeutic. The narrative skillfully navigated these opposing identities, culminating in a pivotal scene where Anton reassures Paul Baker that his "shitty" parts are acceptable, fostering a sense of complete acceptance.
The season finale provided a sense of resolution for Paul Baker and Anton's relationship, marking a significant development after two seasons. However, it also introduced new possibilities for future storylines, leaving room for a potential third season. Koteas expressed enthusiasm for a "Season 3," hoping for a holiday special and more "bottle episodes," which he finds particularly enjoyable to film. The show's setting, a house filmed in Toronto but based in New York City, has become an integral part of the narrative, almost a character itself.
Detailed set design, particularly the refrigerator, is rich with Easter eggs, including Paul Baker's addition to the chore chart and references to the characters' lives. Koteas himself has hidden personal items around the set. A significant scene involving Paul Baker, Anton, and a possum was extensively filmed, highlighting the dedication to capturing emotional nuance. This scene served as a catalyst for a mid-season breakup but ultimately contributed to the resolution of Paul Baker and Anton's relationship.